A noted columnist, Teadoro Doroy Valencia, who was know as the Drew Pearson of the Phillippines, allowed us to create a theater in Fort Santiago in less than a month. It was not a small miracle (and Fort Santiago is a national shrine, where incarcerated Jose Rizal waited for his execution). Valencia, full of energy, took care of all of the details of the restoration of Manila during the Marcos era: clearing squatters out of the huge public square known as Luneta, sanitizing Paco Cemetery, creating a flower clock that told time, and maintaining clean public restrooms that flushed.
Anything was possible in Teadoro Valencia’s world, or it seemed: a man who had a direct line to Emelda, then able to use his influenced he gained as a writer; now though no longer living his contributions to the Philippines and Philippine theater still are alive.
Theadoro Valencia, as a writer, had great influence. He used that influence to help PETA (Philippine Educational Theater Association). We can assume he knew the importance of PETA. He saw the organization create and perform the first plays in Filipino. From that beginning, they went on to produce over 400 plays that shaped the country’s theater history. And I was there at the beginning. I was amazed then and amazed now. And they have recorded their triumph in “a collective biography” that provides a comprehensive yet intimate account” of the company’s history, from 1967-2007.
PETA Releases ‘A Continuing Narrative on Philippine Theater’
posted on Tuesday June 3, 2008
“After more than 10 laborious years of research, compiling, writing and editing, PETA is proud to bring to the public its 740 plus page book, chronicling its 40-year journey as a Filipino Theater company The Story of PETA may be considered a collective biography that provides a comprehensive yet intimate account of its lifework, from 1967 to 2007. It highlights the company’s unique approach and contribution to Philippine theater aesthetics, performance and pedagogy, and to popular education.
“This book presents a chronicle of the collective journey of men and women who have inscribed a powerful presence in Philippine theater history. Woven together, their stories provide strings of hope and inspiration, a remarkable tapestry of dreams dedicated to Philippine theater, society, and nation.
“As PETA enters its fifth decade of existence, it continues to nurture young artists who will metamorphose into artists-teachers-leaders and carry on the torch of art to inspire many to become cultural creatives.
Launched during the 40th Anniversary Concert held at the PETA Theater Center on May 30, 2008, The Story of PETA is now available at a retail price of PhP1,499.00. For reservations and other inquiries, call PETA at 725.6244, 410.0821 or email firstname.lastname@example.org.”
and respect, Randy Ford
“OVERWHELMING was the out pouring of love, admiration and gratitude to the magnificent Filipino Artist for Others, the Ramon Mag-saysay Awardee for Public Service, the brave founder of the Philippine Educational Theater Association (PETA) and the Development Rehabilitation and Education through Arts, Ads By Google Philippines Photo Gallery Free photos, screensavers & more! Browse our free galleries. www.Away.com Meet Filipino Beauties Join Free And Browse Through 1000s Of Profiles For Friendship & More!www.FilipinaHeart.com Acting Schools Locate Top Acting Schools. Get Reliable Advice In Your Area.DoTellAll.com Media and Science (DREAMS). Ensemble of the Earthsavers Movement and now stricken with cancer Cecile Guidote-Alvarez all in her bid to found a National Theater. ”
The youngest RM Awardee (for Public Service) all her life Cecile has committed herself to assist in nation building, and in enhancing our national identity through the making and the workings of a national theater.
“The accolades, fittingly enough began in the Holy Mass officiated by Rev. Fr. James (Mr. Theaterman) Reuter, S.J. who said in his homily: Cecile has three (outstanding) qualities talent, courage and sensitivity of soul.
“Well represented in the program were the numerous people whose lives she had touched and influenced in one way or another. And their names are legion, as Soxy Topacio was to call them, Ceciles children, childrens, children, and childrens childrens childrens and more.
“The program entitled KAPATID: A Tribute to Cecile Guidote Alvarez was held at the Rev. Fr. James Reuter, S.J. Auditorium in St. Pauls College, Quezon City to which the guests had trooped, after relishing a light dinner.
“Directed by Anton Juan, it reeled off with a brief theatrical offering by Frankie Riveras Sining Kambayoka Troupe come all the way from Marawi City in Mindanao.
“Recounted were often-humorous anecdotes about the speakers brushes or encounters with tonights honoree a customarily adamant, relentlessly demanding woman of the theater Cecile Guidote-Alvarez.
“National Artist for Literature Dr. Alejandro Reyes Roces recounted how he had always looked upon her as his adopted daughter ever since he had learnt that Cecile had never seen her biological father, like Anding, himself a guerrillero in World War II, Ceciles Dad (Mauricio Guidote, a USAFFE guerrilla captain) had died while she was still in her mothers womb. And her mother Caridad Reyes had bravely submitted herself to a ceasarian operation without benefit of anesthesia in order that Cecile might be born (Talk about courage).
“Actually, Cecile has three surrogate fathers Fr. James Reuter, S.J. who initiated Cecile into the broadcast theater that saw its full flowering in Balintataw; Dr. Alejandro Roces, who linked the efforts she pioneered in PETA to UNESCO for international cooperation; and Teodoro Doroy Valencia, who was hospitable to the concept of a Peoples Theater by allowing them to identify creative spaces for the public particularly Fort Santiago and Paco Park.
“Bibot Amador of Repertory Philippines founded at about the same time as PETA (of which Cecile was the founder and director) sent a message which was heartily read by Joy Virata and ended truthfully with Cecile may not be a National Artist but she (definitely! LOG) is a National Treasure (as Bibot herself, is. Too, there is still tomorrow and she may yet be come a National Artist, CCP President Nestor O. Jardin having been in the audience).
” Critic/playwright Dr. Isagani Cruz gave examples of how persistent Cecile can be as when Cecile called up Gani in their house and his child answered the phone and Gani told the child to say that he was out, and afterwards the child asked who is Cecile and he answered she is my best friend the child asked again But, why didnt you talk to her if she is your best friend. But still Cecile will call again and again until she will be able to talk to me. And now that I have a cellphone I cant do that anymore.
“PETAs artistic director Soxy Topacio related, that one time they had a show in Mara
“PETAs artistic director Soxy Topacio related, that one time they had a show in Marawi City, they arrived at the airport but the plane had just left, so they call Cecile to inform her about the citation and Cecile told them to still go to Marawi in any way adding: If Mao-Tse-Tung could cross the Yang-Tse River, why cant you? It was good they didnt leave the airport because the plane had to come back because of engine trouble, so they were able to go to Marawi City.
“Excerpts from the works of PETA that we viewed, included those from: Bayaning Huwad; Dona Clara; Larawan. Songs by Ateneo Glee Club Alumni with Rev. Fr. James Reuter, S.J. conducting and Rev. Sr. Sarah at the piano, a song by Joy Soler and a song and dance number by the DREAMSEarthsaver Movement composed of street children, resident of Smokey Mountain and disabled persons.
“Among Ceciles may other children are Lino Brocka, Mario OHara, Rita Gomez, Lolita Rodriguez, Lutgardo Labad, Lorli Villanueva, Malou Jacob, Angie Ferro (although older than Cecile), Lily OBoyle, Bonjin Bolinao, Cecilia Bulaong Garrucho, Joy Soler, Pilar Garcia, Frankie Rivera, Soxy Topacio, Tommy Abuel, Nanding Josef, Nick Lizaso, Noel Trinidad, Jonee Gamboa, Leopoldo Salcedo, and many more.
“The evenings scene stealer, however turned out to be that great actress, person, and theater woman, Cecile Guidote Alvarez, herself, when she delivered her tearful Pasasalamat. She admitted to being afflicted with cancer and to having lost her hair. When she found out that she had been cancer-stricken she asked: Why, Lord? Is it not enough that I look after your blind, deaf, lame, street children, underprivileged, drug addicts and would-be artists?
“So buoyed up was the honoree with all the warmth and love demonstrated her this evening, that she found the answer to her question: For this Tribute, this overpowering acclamation from all of you here tonight, might never have been. And my hair is growing a little a sign that I am getting better… Then, this unflappable, untouchable, incomparable Grande Dame of Philippine Theater took off her shoes and danced (although my toes are black) and then she sang like Joy Soler, in a highly appealing manner.
“The people kept on shouting We love you, we love you, we love you! A glorious finale to a glorious albeit tear-jerking evening.
” We salute Cecile Alvarez (nee Guidote) a girl with a mission who gave it her all a magnificent artist, and above all, a great Filipina heroine.
“Blessed are the merciful, for they will obtain mercy.”